Tuesday, 19 May 2009

Bluejuice On The Road Again



Bluejuice have recently emerged, filthy and mole-eyed from the studio after an extensive recording session with producer/herbalist Dr. Chris Shaw (responsible for Bob Dylan's most recent albums, Public Enemy, Weezer, Ween and Panic at the Disco) and are now venturing into the fresh air and hitting the road with their pals Philadelphia Grand Jury (playing all shows except WA) in May and June.

Jake and Stav have also been diligently recording their studio experience on their blog here.


Recently signed to Dew Process and with the new album well and truly on the way, the boys promise a showcase of all the usual antics plus more...hopefully no arrests or brocken bones this time, although it does make their shows just that little more interesting:)


Philadelphia Grand Jury or "The Philly Jays" for short for those of you who don't know are a Sydney Punk-Rock threesome responsible for that infectious "Going to the Casino Tomorrow Night" song i've heard so many times on JJJ. Don't let that song be your sole judge though, they're a great high energy band that combined with Bluejuice is sure to be a massive night out.

Full Tour Dates as Follows:


(PHILADELPHIA GRAND JURY play all dates EXCEPT WA)

THURSDAY 28th MAY ¬ EAST BRUNSWICK CLUB, MELB
Tickets: $16.50 pre/ $20 Door.
Tickets available from website ; or East Box Office either via phone on 03 9388 9794, or in person at the venue - 280 Lygon Street in East Brunswick.
Box Office hours are Monday to Friday 11-6pm and Saturday 12-4pm.

SATURDAY 30 MAY ¬ JIVE, ADELAIDE
Tickets: $16.50 pre/ $20 Door.
Tickets available from www.moshtix.com.au or Moshtix Outlets

THURSDAY 4 JUNE ¬ INDI BAR, SCARBOROUGH
Tickets: $16.50 pre/ $20 Door
Tickets available from www.moshtix.com.au 1300 GET TIX, www.bocsticketing.com.au 08 9484 1133, 78's 08 9322 6384 www.78records.com.au and www.heatseeker.com.au

FRIDAY 5 JUNE ¬ PLAYERS BAR, MANDURAH
Tickets: $16.50 pre/ $20 Door
Tickets available from www.moshtix.com.au 1300 GET TIX, www.bocsticketing.com.au 08 9484 1133, 78's 08 9322 6384 www.78records.com.au and www.heatseeker.com.au

SATURDAY 6 JUNE ¬ AMPLIFIER, PERTH
Tickets: $16.50 pre/ $20 Door
Tickets available from www.moshtix.com.au 1300 GET TIX, www.bocsticketing.com.au 08 9484 1133, 78's 08 9322 6384 www.78records.com.au and www.heatseeker.com.au

SUNDAY 7 JUNE ¬ NORFOLK BASEMENT, FREMANTLE
Tickets: $16.50 pre/ $20 Door
Tickets available from www.moshtix.com.au 1300 GET TIX, www.bocsticketing.com.au 08 9484 1133, 78's 08 9322 6384 www.78records.com.au and www.heatseeker.com.au

FRI 12 JUNE ¬ THE ZOO, BRISBANE
Tickets: $16.50 pre/ $20 Door.
Tickets available from Oztix www.oztix.com.au or 1300 762 545

SAT 13 JUNE ¬ ANNANDALE HOTEL, SYDNEY
Tickets: $16.50 pre/ $20 Door.
Tickets available from www.annandalehotel.com or 02 9550 1078

www.bluejuice.info
www.myspace.com/bluejuice

Tuesday, 12 May 2009

Fisherking

"Cruisy, but really confident stuff. Each of their songs paints a strong picture of an act with loads of potential." Richard Kingsmill, JJJ.

“Give me truth, give me truth give me nothin’ but truth. Give me news, give me news, give me bad and the good. Give me something…” Fisherking




Sydney Band Fisherking have been having quite a run lately Representing JJJ Unearthed at the FUSE Festival in Adelaide and there are no signs of slowing down.

Check out some of the songs from their self-titled EP at their myspace while reading what songwriter Sam Stevens has to say about the band:

Define your genre in five words or less

Pop-laden Blues and Roots

Are there any popular bands around at the moment (or in the past) that people could compare you to? Feel free to mix up genres in your answer.

Hmm... It’s been said that we sound a bit like the Beautiful Girls or the John Butler Trio, but I don’t hear it... I reckon we’re the perfect (and by ‘perfect mix’ I mean ‘not perfect’) mix between Ben Harper, Wilco, Coldplay and Paul Simon. How does that work? Not sure, but I like it.

If one was to ignore their ears, what does your music smell, feel, look and taste like?

Ha, I would say that it smells the air-conditioning when you first turn it on. I love that smell. Although, I’ve only ever met one other person in the world that also likes that smell and I married her. So maybe it feels like a Sunday arvo on the beach, smells like sausages and tastes like beer but it’s too hard to look at it because of the harsh Australian conditions.

What has been your favourite gig to date (played by your band)?

One time we played down at the Heritage Hotel in Bulli. It was our first ever headline show and not a very successful strategic move on our part. Anyway, there were about 3 people in the room, George and Bruce and Sue (we took the time to get to know them a little bit). About 15 minutes into our set, a couple booze buses roll up outside and out jump 100 or so people ready to party. We ditched the rest of the set and just jammed on some tasty funk to satisfy the hungry crowd. IT was amazing! It was the first time anyone has ever jumped up on stage to dance on my leg. He was quite the dancer!

What do you think a band has to do these days to succeed?

It’s really hard to know. If you know, I’d love some tips... I mean, there has to be some talent in the band, right? You’ve gotta offer something! A well-written song goes a long way for a band. But there are so many amazing bands out there, especially in Oz, that never seem to get anywhere with their music. Sometimes it seems so hit-and-miss. Have you heard how the band Travis became so successful? When they performed ‘Why does it always rain on me’ for one of the first times, which, by the way, was in a place known for its dry climate, it rained on them. You can’t set that stuff up!

Where do you stand on the issue of Australian Idol and it’s ilk?

There’s some really great things about Idol. It has actually uncovered some pretty good Aussie talent. Except all the ones I like always seem to get voted off! I couldn’t believe it when Brooke Addamo was voted off in this last season. I guess you’ve gotta be the right flavour for the producers, right? You gotta hand it to the contestants, it must be pretty freakin’ scary performing every week in front crowds like, particularly if you’ve never done it before- and then to get voted off. Cold! But Dicko is the greatest thing about that show. I would absolutely love the chance to get some feedback and advice from that guy.

First album you every bought and where you bought it from?

I don’t remember the very first album that I ever bought... it must not have been very significant to me! Buying albums just kind of started to happen, like hair growing on my chest. But I do remember the first song that I fell in love with. It was ‘Down on the Corner’ by Creedence Clearwater Revival. It used be played on TV in the afternoons with this dancing plasticine-dog film clip. It came as part of a compilation cassette tape that you could by from the ABC shop. I was eight and it was amazing. I was so pumped when I finally got it and used to play it non-stop. That and ‘Juicy, Juicy Green Grass’ by Peter Coomb. Both very good songs.

If you were a musical super hero, what would be your name and what special power would you possess?

Easy. I’d be a guitar-wielding hero called Super Mega-CHops Man, fighting for the freedom of all. Have you seen the Eagles of Death Metal film clip for ‘I want you so Hard (boys bad news)’? Well I want that one. My special ability would be to unleash hell from the raw power that is generated whenever I play my guitar. Of course I’d be able to control the amount of power that I unleashed. I could cause total destruction to the enemies of freedom with an angry 80s metal riff or I could simply cause confusion in their minds with a gentle early 90’s love-ballad. OUCH!



What do you love about making music?

Everything. I just dig it. I love creating something from nothing, if you know what I mean. There’s something very true to human nature in that. Humans were created to create (amongst other things...) whatever it may be, buildings, art, families, music, etc. And we were also created to enjoy creation, so I love it when people dig our music! There’s so much satisfaction in doing what you love and being appreciated for it.

What do you hate about the music industry?


There’s so many great bands out there all trying to get people to their shows and listen to their tunes and so few ever seem to make it. It’s a full-time unpaid job! The struggle is hard but you love writing songs and playing shows and you’d never give it up, so what do you do? It’s like a curse! But a fun one...



If you could travel back in time and show one of your musical heroes your stuff, who would it be and why?

Well, I don’t know anything about time travel, except that it’s dangerous. I’ve heard if you go back in time, you could end up causing your own mother-to-be to fall in love with you, creating massive problems for the space/time continuum. Besides, most of my musical heroes are still alive. So I’d organise a dinner party with, James Taylor, Stevie Wonder, Paul Simon, Ben Harper and Lior cause you’ve got all the elements of great song-writing right there around the table. Yep. All great singers. All champions of style. All got some soul.

If you could assassinate one person or band from popular music, who would it and why?

Crazy Frog. Why do you think? NEXT!

Whaddya reckon is the best guitar riff EVER written, and why?

Thunderstuck by AC/DC. Young designed it to be played with one hand so that he could keep the other in the air. That is pretty rock’n’roll...

Do you believe music can make a difference in the world?


Not by itself. The world is too big and complex to be fixed by ‘Love Shack’ alone. Music doesn’t make a difference, people do. When someone has a conviction and bothers to use their talents and abilities to do something about it, that’s when a difference is made, however big or small. Unfortunately we live in a time when it’s easier just to worry about ourselves rather than what happens to others and we pretend that there’s nothing to fix, or at least that there’s nothing we can do to fix it.

You’ve just kidnapped the CEO of a major record label, then bound and gagged him in the boot of your car. What song of yours do you blast back at him to make him sign you? Describe what happens next.

Well first of all, I wouldn’t put him bound and gagged in the boot of my car! That’s awful! I’d put him bound and gagged in the back seat of my car where the stereo sounds better. Then I’d say “Shut up, Jerry” (because that’s his name...) “You’re not going anywhere until you hear this!” I’d throw the CD cover into his face and say “Are you picking up what I’m putting down?”. So then I’d pump one of our tracks ‘Smellin Roses’ over the stereo and he’d love it ‘cause it’s a really good track. We’d untie him and take him to a cafe and buy him a caramel latte and we’d sign the contract for an awesome recording deal. A 90-10 split! We’d get the 90 and he’d get the 10! Yes.

Why should every one come and see your band?

Oh man, what do I say without sounding arrogant? To get out of the house? To try new things? Ha, I definitely think we’re worth the effort! Can I say that?


Famous last words?

“Is it bands or gymnasts?”

Friday, 8 May 2009

Grand Atlantic




“Bands can sometimes do the big guitar pop-rock thing and sometimes do the orchestral pop thing, but somehow Grand Atlantic can do them both equally well and resolve them into an enthralling package” The Courier Mail, 2007


So, you've listened to the ‘supposedly’ great Australian pop records of the last couple of years and you've come to one conclusion: those people are pretenders.
Australia, if you’ve got talent it’s well-hidden. If you're not marvelling at the pretentious hairstyle/facial hair/texta tattoos and ridiculously-complex, over-produced and self-indulgent albums, then you might get around to wondering why those people get to make records at all. So – pay attention, the next bit is important.

Grand Atlantic have managed to do what seemed impossible – created a lush, melody-drenched set of songs that combine minor-key melancholy with killer pop choruses. By ignoring the rules, they have drawn elements from the past and made them seem new again. This is the album that the major-label poodles would have given their right arms to make. You see, you have to be outsiders to pull this off – the kids that sat in the bedroom obsessing over who played on the second Kinks album; the dreamers who analysed every lyric on ‘Pink Moon’; the Audrey Hepburn fans. The thinkers. The romantics.

It's an exciting time for Grand Atlantic right now: Stuart Coupe and Laughing Outlaw Records announced on April 18, 2009 that the label had signed the band to the label, and will release the band’s second album How We Survive on June 1st 2009 via Inertia Distribution.

Grand Atlantic’s 2007 debut was hailed as a modern pop masterpiece and received widespread critical and popular acclaim in Australia and worldwide, with innumerable power-pop blogs in the US and Europe raving over the band’s classic guitar anthems. Audiences across Australia were treated to Grand Atlantic’s impassioned and impressive live shows, and many predicted great things for the band. Those predictions seem likely to come to fruition in the form of their second long-player.

“Grand Atlantic’s album landed in my stereo late last year and stayed there on repeat for four straight days. It’s an impressive and accomplished album, and it’s got a depth that reveals more with every listen. They are a great addition to the label, and we’re looking forward to unleashing this album on lovers of great guitar-pop everywhere…” says Stuart Coupe.


How We Survive was recorded at Aisle 6 in Brisbane, mixed by Magoo (End Of Fashion, Midnight Oil) and mastered in Nashville by Jim DeMain at Yes Master. It showcases the increased confidence that the band has in their songwriting, along with the influence of almost 18 straight months of live shows.

Lead singer and songwriter for the band, Phil Usher, stated “We’re really comfortable with Stuart and the Laughing Outlaw team – they really get what we’re trying to do on this album, and they are music fans first and foremost. We reckon they are the right sort of label for us – and we’re looking forward to those huge royalty cheques rolling in any day now!”

The first single from How We Survive is She’s A Dreamer, a gorgeous, sunny slice of pop perfection. It should be on good radios around the country from the first week of May. Grand Atlantic will officially launch the album at The Zoo in Brisbane on Friday 26th June, with a capital city tour to follow in July. There are a number of live dates happening this month and next - more information at www.myspace.com/grandatlantic. (The GA website is currently under reconstruction…)

Just a Quick bit on laughing Outlaw:

Laughing Outlaw Records is a Sydney based independent record and management company. Its attitude and approach is pretty simple - music fans releasing music for other music fans. Nothing more complicated than that.

Since opening up for business more than eight years ago the label has released over 100 albums. Most of them are on CD but nothing makes the Outlaws happier than also releasing something on vinyl. The label has distribution networks around the globe, an office in the UK and even its own Hi- Fidelity like retail shop if you're ever passing through sleepy Lewisham in the inner west of Sydney.

Friday, 24 April 2009

Carus Thompson




Born in Fremantle, Western Australia, independent acoustic artist Carus Thompson began writing songs aged 12. By the time he was old enough to play in bars he was making a living playing the Perth pub circuit. A nomadic lifestyle from the beginning saw Thompson call many places home, including the outback Aboriginal community of Peppimenarti, where he spent an influential and formative four years as a child.

Carus Thompson’s first release was a self-titled EP in 2000 from his then hometown Darwin; a second EP, Mind's Eye recorded In WA, followed in 2002. Continuing his itinerant sweep of the country he then moved to Melbourne where he recorded his first full-length album Songs From Martin St in 2003. On the east coast the young singer-songwriter fast built a reputation as an exciting and powerful solo-acoustic performer who with the release of his much-lauded double live album Acoustic At The Norfolk (also 2003) was given the opportunity to tour both Australia and Europe supporting the likes of John Butler, Dave Matthews, Damien Rice, The Waifs, Pete Murray and Xavier Rudd.



International attention awaited; Thompson began building his own touring circuit throughout Europe and the UK, returning for two to three tours a year – still doing it independently and on his own terms. A network of friends and agents helped him build up what has now become an incredibly loyal fan base, especially in Germany and England where his ability to win over any crowd continues to sell out venues and garner spots on major festivals. Long Nights Are Gone, (2004) was the first album to feature Thompson's three-piece backing band, The True Believers. The album had strong success in Australia (the track Ain't No Crime featured heavily on national broadcaster Triple J) while Carus and The True Believers toured extensively both in Australia and overseas.

In late 2006 Carus & The True Believers released what Thompson has referred to as “his first real record”, the album Three Boxes. Produced by Greg Arnold, Three Boxes was mixed in Nashville by the in-demand Brad Jones (Josh Rouse) and received rave reviews; The West Australian claiming “Australia has been waiting for Three Boxes”.

In early 2009 Carus Thompson releases his new album Creature Of Habit. Again produced by Greg Arnold and mixed by Brad Jones this time it’s a solo effort, with Thompson leaving the band behind. Backed by the True Believers, Thompson has always had a well-earned reputation for getting the room jumping, however in recent times it seems clear that this set up can conceal the depth and engaging nature of his songs. No longer a songwriter presenting himself as a band Thompson, with the release of Creature Of Habit, comes clean as a first-class singer-songwriter backed by a band.



The new album reveals an artist coming to terms with who he is and the place his music occupies. Carus Thompson is a singer-songwriter, of exceptional quality and Creature of Habit will confirm that – both at home in Australia and throughout
Europe.



Friday, 21 November 2008

Friday Tunes 21/11/2008

Far from the regular rage and indignation that generally besets me on a Friday afternoon, this week as we look at a little more than 4 weeks till the great xmas break there's a wide range of smiles around me and even hushed talk of mutiny in the ranks...nothing quite spurs dissension like thinking of tropical islands, lazy days off, beer Lao or a refusal to deliver caffeinated goods with sufficient haste to a co-worker on a friday arvo. Well that or a 40 million dollar ransom for 100 million dollars worth of Saudi Arabian oil, but that's a whole other matter isn't it.

So i've been tossing up a few tunes in my mind all afternoon but as this hot hot afternoon stretches on into Friday evening i thought i'd start with something a little mellow from The Ray Mann Three. When you hear a review like the following one tends to be automatically suspicious:

"A sublime album full of lazy, summery sex tunes that make Prince look like a virgin...it's like a huge serotonin shot to the ass with a mango daiquiri on the side. The instrumentation is sparse but well thought out, the songs are absolutely top notch, and Ray's voice is beyond orgasmic...If you ever needed proof that soul wasn't dead, you just found it...Guaranteed baby-making music”. Jonno Seidler, BRAG Magazine.

Needless to say; i was suspicious. I mean that's a serious claim to make, you just can't cast doubts on the strength of Prince's sexuality lightly. Even if you're talkingabout someone who used to play in Kid Confucious (as Ray Mann indeed did and as drummer Bart Denaro still does). I must admit though in my opinion the Ray Mann Three's self titled debut album is awesome and perfect for love making at any time. It was written over 3 years of playing in low-key lounges and night clubs all over Sydney, some of which you may know - The Basement, The Annandale Hotel, Tonic Lounge, and the Vanguard. The bands Been getting some great airplay recently so keep your eyes tuned on their website and myspace page for tour dates etc and to listen to my personal favorite track "Hook Me Up." For some immediate gratification though check out "Smile"



Now moving along i wanted to introduce a little Australian techno. Not trying to confuse anyone with the "techno" label i actually mean techno here and not electronica or any of the other millions of labels we give "that" sort of music these days. This DJ was actually introduced to me by Anton Banks, and i want to side track here for just a second to give Anton the thanks he deserves.

Anton is the brains behind a radio program called "The Vault" which airs every other Wednesday night from 9:30pm until 11:00 eastern US time (GMT -5:00) on 88.1FM in Middletown, CT (in the US). You can check it out on his website here and also download/listen to past shows. It's a great program with a good range of electronica, including some GREAT minimal and tech-house sets. My personal favorite is the Dario Zenker edition but they're all riddled with gems. It's a great show and i def. encourage you to check it out.

Ironically enough it was Anton that introduced me to Melbourne artist Komplex. With a deep, well-produced sound harking back to the early Detroit days Komplex is well worth a listen, especially for other Australians out there trying to boost up the scene! If you like what you hear or you are an Australian producer/DJ trying to get some recognition yourself i'd love to hear your stuff so send it on in!

So wrapping up here for another week at the Flash, what week would be complete though without a dose of fail?

This week from the U.K:

fail owned pwned pictures
see more pwn and owned pictures


Another Friday out, and word to the wise - stay away from poisonous catepillars!

Those who know...know.

Will out.

Friday, 24 October 2008

Friday Tunes 24/10/2008

Ok, so before i go on again about some more Aussie music i have to share a link that came to my attention yesterday. I'm sure i'm about the ten millionth blogger to pick up the story but it was news to me...So According to BBC News:

"A potted plant at a cafe near Tokyo, Japan is entertaining customers by writing a regular blog about its feelings.


It is the work of a university engineer who has been studying how to communicate with plants. He devised a sensor which he attached to the plant named "Midori-san" that measures bio-electric signals. These are converted into data by a computer next the plant and then translated into Japanese in the form of a blog.

The plant's latest (21/12/2008)entry reads: "It was cloudy today. It was a cold day.""

I find myself somewhere between laughter and dismay...it doesn't actually tell you how on earth the 'language' is translated and to be honest i feel like the whole business smells kinda like off milk, but as far as a publicity stunt goes i've got to give it two thumbs up. Lets just hope the bastard doesn't get any more expressive anytime soon.

Onto music though, i thought i'd continue my last week's rant a bit with a few more contemporary examples of Australian music excellence, hopefully to cast out forever any unbelievers or possibly win over a few more skeptics.

To start with another Oz-Hop Group The Hilltop Hoods. This isn't one of their most popular tracks but it's a little different and one of my personal favorites so enjoy "Stopping All Stations":



And now to move on to something more Pop-ish, but i don't say that to discourage you just really to identify the wider audience that would be moved by this song. Unlike the song above i've chosen probably the best known track from Machine Gun Fellatio (RIP), but if you dig this then know that there's plenty more a quick search will yield. I've chosen this one because regardless of how many people love it and call it their own, it's still amazing on so many levels. Check out "Unsent Letter":



Cool well i'm off to Island Vibe festival out on Stradbroke Island, because there really is no better place to listen to reggae than the beach...so i'd love to make this post longer but...

Peace out from Brisbane.

Friday, 17 October 2008

Funky Chicken Friday

Its the Calzone, not the dance...

Welcome to the next riveting Heapsaflash installment...

It's been a hazy week in Brisbane and i'm not just talking about the transitory weather. I know Queensland has a reputation, living in the States for over 10 years if i had a penny for every person i met who knew what the great Barrier reef was but couldn't tell you much else about the country in general...well you know the saying. It's not really ignorance, because there are of course trillions of places which i have no conception of, it just always used to irk me that people i'd meet in Massachusetts would know more about the great barrier reef than i did (or even possibly have been there whilst i myself, had not.) Yet these people didn't know that Steve Irwin and Paul Hogan, whilst respectable in their own ways, are just as funny and over the top to most Australians. Or that No, hardly no-one drinks Fosters in Australia. I only mention them here to illustrate a point - and one i have only just come to fully appreciate - Queensland's beaches are honestly everything they are cracked up to be, unlike pretty much every other stereotype about Australia i've ever heard. Take the David Lowe Highway from outside Mudjimba up to Noosa and you'll see what i mean.

The other reason i bring up these grave stereotypes that all people everywhere have to deal with in some form or another is to make some further comments on Aussie music. I've heard from foreign individuals that they think it's harder for a band to make it if they're Australian because they don't have the clout say a English band does, which i find hard to stomach. I say this for two reasons, firstly in places like the U.K. and the U.S.A. bands have big shoes to fill and there's just a ridiculous amount of competition. Secondly, many Australian bands have and are making it in a big way overseas: for example my weeks pick Cut Copy



Or what about Skip-Hop, controversial i know and unlikely to sway any die hard Hip-Hop fans, but still valid, especially if given it's proper Australian context, and not seen as as simple emulation of the American ideal. Check out 'The King is Dead' by the Herd, Written about John Howard's final retirement. Incidentally this also happen's to be Ev's pick for the week:



And i know we've posted it before but as per the request of our resident junior correspondent here's Skipping Girl Vinegar with 'One Chance'




I'm not nearly done with my indignation on this topic but i am extremely tired...so stay tuned for the next post where i will hopefully expound these views further with additional solid evidence and more unecessarily personal anecdotes...

Peace out from Brisbane.